Fantasy Model Shoot – Composite Workflow Overview
After posting this image on my Facebook page I received an inquiry about seeing the original photo. I can see why that may have been a thought in someone’s mind because the retouched image does have a very illustrative look. I love working with that style. Taking photos and turning them into a more comic book, stylized, painterly look.
Below you’ll see 2 images. One is cropped in a bit so you can see more detail and the other is the full length photo. From left to right, is the raw shot right from the camera (Canon 5dmk3), then the image after being processed in Lightroom 5 and finally after opening that processed image in Photoshop and adding the finishing touches. I actually bring it back into Lightroom for a few more tweaks (coloring and vignettes).
The lighting and positioning is really what brings this image together. I started with my model mimicking the pose of her holding a flame in her hand. Which was directly below a green gelled speedlite. There was also an additional green gelled speedlite (camera right) that directed a little bit more of green on her body. There were a total of 6 lights used 4 Paul C. Buff Einsteins and 2 Speedlites Canon 580exii. They aren’t shown in the image so I’m including a rough diagram of the lighting setup below. The key light (camera left) was a large soft box and the rim lights were narrow soft boxes (camera left and right). There was also blue gelled hair/rim light (camera left).
Hopefully that provides a little bit more insight in on the workflow and setup of this shot. I love incorporating Photoshop into my workflow, especially for shots like these. I always keep in mind the final result when shooting and hope that my settings get me there.
Questions? Drop a comment.